A common source of confusion that I experience when posting my artwork on social media is: _why?_ Why use a plotter when you could use a printer? It's slower. Less exact. More expensive. It fails, far...
A full accounting for the process of creating the BUSY art project over the course of a year. BUSY began as a challenge to create highly detailed artwork with the power of computation....
The technique I used to for compressing SVG data by 93% for use in generative art systems by reducing markup into a series of basic instructions. ...
In the twenty years I've been practicing it, I've witnessed numerous communities grow and shudder, services shut down, databases corrupted, and businesses pivot to new models. When these things happen...
First, I fell in love with code. Then came pen plotters because I could use code to instruct them to draw things that I found beautiful. After that, I fell in love with inks because my drawings needed...
Building an interactive art installation requires careful planning and application architecture. In this post, I will explain my decisions and how I arrived at them....
ORI is a long-form generative art project I released on Artblocks in November 2022. Making 450 unique mints involved carefully balancing variability and consistency to achieve my vision of unique and ...
This series explores the code that powers generative art in the metaverse. The goal is to break down different approaches to making art with code and understand how different artists are adding unique...
